It’s lined up in our sights and we’re ready to pull the trigger on Ennio Morricone’s score for the 1966 iconic Spaghetti Western The Good, the Bad and the Ugly. How did he arrive at the combination of ingredients that created such a memorably distinctive sound? Is the main theme meant to evoke an animal call, a lone gunslinger, a dream, or all of the above? And, what does Jon’s cat think of this score?
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