We’ve arrived at the Top Three on the AFI’s list, with Maurice Jarre’s score for the 1962 sweeping historical epic Lawrence of Arabia – so it is written! How does Jarre’s big main theme make such a compelling case for the romance of the desert? What far-fetched scheme did the producer originally have in mind for the film’s music, and how is that reflected in the final product? And, what apology does Jon owe to the citizens of Aqaba?
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